Listen to your chorister’s treble voice
for ever and ever.
Offering a unique opportunity to young choristers to capture their treble voices
by making a professional studio recording
Nadia Boulanger Lux Aeterna performed by Caspar Johnson (treble) and Alexander L’Estrange (accompaniment)
We offer a unique service for choristers by recording them singing their favourite solos/choir pieces so that you can enjoy listening to your child’s treble voice long after it has gone. Both of our sons were choristers and we are so glad that we made recordings of their treble voices before they changed.
Alexander L’Estrange, who engineers and produces the sessions at Old Stable Studios in the Hertfordshire countryside, was himself a chorister in the famous choir of New College, Oxford; he’s also prepared many choristers for their auditions at cathedrals up and down the country. He knows how to get the very best out of your son/daughter and to make a recording they can be proud of for the rest of their lives.
You can choose to record as many pieces as you like: any piece by any composer, with piano or organ, with or without choir backing.
Have a listen
What chorister parents are saying…
“Never underestimate just how much you will miss your child’s unique treble voice. Making a beautiful studio recording captures it forever and will bring tears to your eyes.”
— Kath Jenkin
"Alexander really helped to get the best from our son during the recording process and made him feel relaxed and enjoy the whole recording session. We were delighted with the recordings which we can keep, replay and share with our friends and family as a lasting record of his treble voice."
— Naomi Mews
“You won’t get a better quality recording or knowledge of how to get the best out of a chorister than with the L’Estranges at Old Stable Studios.”
— Phillip Brown
"Now that our son's voice has broken, we're so pleased that we have a recording to listen to. Joanna and Alexander are masterful in the way they draw out the best in the performer while they're recording do our son enjoyed it too."
— Emily Tanner